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Treadmill to Oblivion, by Fred Allen
Free Download Treadmill to Oblivion, by Fred Allen
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Product details
Paperback: 252 pages
Publisher: Wildside Press (March 1, 2009)
Language: English
ISBN-10: 1434454126
ISBN-13: 978-1434454126
Product Dimensions:
6 x 0.6 x 9 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
42 customer reviews
Amazon Best Sellers Rank:
#1,246,838 in Books (See Top 100 in Books)
Fred Allen was a great wit during the Golden Days of Radio. His program, along with The Jack Benny Show and The Phil Harris and Alice Faye Show are just a few of the old programs that have aged well. Most if the other comedy shows if this era seem quaint, naive and even tedious.Fred Allen's influence was evident in the 1970s with the advent of Johnny Carson's "Mighty Carson Art Players" and Garrison Keillor's "News from Lake Wobegon." Both Carson and Keillor creations were direct ancestors of Allen's Alley, a weekly feature of Allen's show. [By the way, the Warner Brothers cartoon character Foghorn Leghorn was based on Allen's Alley denizen Senator Claghorn.]This book tells the story of Allen's career in radio including: Allen's "feud" with Jack Benny that provided both stars years of comedic gold; Allen's difficulty dealing with censors, finicky sponsors, and NBC executives; and the rise of television that ended radio's reign as king and Allen's career.Allen tells some great stories in this book, including one about the night an eagle broke free from its trainer during a broadcast and terrorized the audience. Allen recounts how the rise in popularity of give-away programs stole listeners from Fred and all the great radio stars. Allen even bought an insurance policy that guaranteed his listeners comparable prizes should they be called by a "give-away" show while listening to Allen's program. Allen also decries the devastating role television played in the demise of program's like his.This is an excellent book about the Golden Days of Radio as told by one of the best writers/performers of that period. While I have an original copy of the book, I was thrilled when it became available as an e-book. It is reasonably priced and in a fornat that is easy to read.
I have been watching reruns of the TV show "Whats My Line", in which Fred Allen was a panelist for a number of years. I had mixed feelings about how he acted during the show and found myself wondering who this man was. This book was inexpensive, so I bought it. He writes about the medium of broadcast radio before the advent of television. I not only gained a better understanding of why Fred Allen was highly thought of in the entertainment world, but how TV changed Radio, just as the Internet is changing TV. Much of it is quite humorous, and it is very much worth a read.
Re-read. First read this in print several years ago, and I was so happy to see a digital copy was made!The book focuses exclusively on Fred Allen's radio career and more than half of it is snippets of scripts. So much of the humor of the scripts is lost without hearing the delivery in your head, so the casual reader might not get much from this book, but avid Fred Allen fans will delight in this.I had forgotten that Fred Allen was one of the only stars from the golden age of radio who wrote most (if not all) of his scripts by himself. Much of his material was based on topical humor, so the man was constantly reading newspapers and saving clippings to use each week. No wonder he was miserable all the time. ;)I don't really recall so many typos in the formatting of the scripts in the print edition, and I certainly can't imagine a perfectionist like Fred Allen allowing so many, so I think the transfer to e-book got a little sloppy along the way... Not unreadable by any means! Just noticeable.Looking forward to re-reading his memoir in the near future - even though it will be a sad reminder of his untimely death.
Fred Allen's TREADMILL TO OBLIVION (1954) is a quick read, mainly because half the book is lengthy reprints of radio show scripts.Allen's decision to quit radio after 17 seasons was due to low ratings, sky-high blood pressure and changing times. As he comments in the last couple of pages, "Television was already conducting itself provocatively, trying to get radio to pucker up for the kiss of death....When television belatedly found its way into the home, after stopping off too long at the tavern, the advertisers knew they had a more potent force available for selling purposes. Radio was abandoned like the bones at a barbeque."Throughout the book, Fred has nothing but contempt for ad executives-- untalented, clueless individuals (in his estimation) who constantly interfered with format and content. Twice he was forced to abandon popular runnng gags because some ad man found them boring. His "Town Hall Tonight" theme was axed by another genius sponsor's rep, who thought the concept was "corny."Yet for all those years and despite outside interference, Allen and scriptwriters like Herman Wouk soldiered on, assembling one of radio's wittiest programs.One running gag that couldn't be silenced was the Benny/Allen feud, a chance invention that was born the night Allen had a child violin prodigy on as a guest. After the kid knocked off a brilliant rendering of Schubert's "The Bee," Fred openly challenged Jack to equal the feat, a bold move, as Benny had radio's most popular show. The resultant series of tongue-in-cheek insults Fred and Jack traded for many weeks culminated in an off-mike fistfight between the two on Benny's broadcast, one described by announcer Don Wilson. The charade was immediately revealed when the "combatants" were next heard fondly reminiscing about their vaudeville days.Samples of this feud and its resoluion are in Fred's book.Another reprint of a memorable broadcast is of Britisher Capt. Knight and his Golden eagle, Mr. Ramshaw. The script was abandoned when Ramshaw took wing in the studio and wouldn't return to Knight's arm. He also let loose with some ad-lib eagle "bombs." Allen's program continued while in the background, Knight was frantically tryng to capture his naughty bird. Forty minutes of sustained audience laughter drowned out anything Fred and cast had to say.Fred's "inside the show" comments are too few. Although a reader familiar with him, wife Portland, Benny, George Jessel, Orson Welles and other guests can imagine their voices while perusing these pages, it's not as much fun as listening to broadcasts. The denizens of Allen's Alley equally suffer from the printed word.The book is divided into four sections: IN THE BEGINNING, TOWN HALL TONIGHT, THE NEW THEME and ALLEN'S ALLEY. There's no photos. Segment titles and the end page are decorated with Al Hirschfeld line drawing caricatures of Fred. (One of these is also the dust jacket art.).To really hear Allen "speak," check out the posthumously published memoir of his pre-radio life, MUCH ADO ABOUT ME (1956).
This book is for well seasoned old time radio fanatics. It is no way is introductory material to this genre. If you like Fred Allen and would like some additional insight into how his particular show was produced on a weekly basis, this book gives you information that could otherwise not be obtained. As I am quite familiar with his shows, I was a little disappointed that about half the book is simply excerpts from scripts of his shows.
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